published outcomes
creative practice critical discourse catalogues with essays multimedia
creative practice
critical discourse
the Journal of Artists’ Books (JAB),
“the Australian JAB” JAB 39
Notes on Artists’ Books from the Antipodes, Tim Mosely
ABBE: Artists’ Book Brisbane Event, Sarah Bodman
Coming to Our Senses with a Modern Mythic Form: Postliteracy in Artistsbooks, Lyn Ashby
Designing with/for/through the Existing: Artists’ Books and Documentations, Marian Macken
The News and the Book, Marian Crawford
Machine Translations: Poets, Poetics and the Artists’ Book, Caren Florance
The Equal Standard Broadzine, Gabriella Wilson
Report from a Border: Text and Typography in Australian
Artists Books, Angela Gardner and Kerry Kilner
The Grafted Image, Victoria Cooper
The Haptic and the Emerging Critical Discourse on Artists’ Books, Tim Mosely
Fumbling Hands and Phantom Limbs; The Photograph, the Hand, and
the Artists’ Book, Deidre Brollo
Climbing Discourse: The Legacy of Touch, Bridget Hillebrand
JAB 43
The Knowing of Artists’ Books, Monica Carroll and Adam Dickerson
JAB 42
Betwixt & Between, <usus>: Uta Schneider & Ulrike Stoltz
Memorandum: From Concept to Publication, Ana Paula Estrada
Handling the Folds: An Intimate Encounter, Bridget Hillebrand
A Lively Phantom, Marian Crawford
Vol 6 #2
The Book of Laughing and Crying, TIm Mosely
Vol 1 #1
Integrating Artists’ Books and Papermaking, Tim Mosely
catalogues with essays,
correlations between independant publishing and artists book practice
Sarah Bodman, Marian Crawford, Tim mosely
preceding 2017 Mirror Image
Curated by Prof Ross Woodrow
re/membering touch
Tim Mosely
Beneath the Surface
Russell Craig
Tim Mosely
Glen Skien
Body Politic,
Prof Ross Woodrow
multimedia
Noreen Grahame dicusses with Tim Mosely books from her collection for the exhibition artists’ books and multiples from Centre for the Artist Book, grahame galleries + editions, part of ...& So shown during abbe 2017 at Griffith Library Queensland College of Art
... dc3p is a contemporary fine art publishing project framed within print culture and haptic aesthetics. The venture supports studio research into artists books practice, autographic printmaking and hand papermaking, and is an active element of print culture @ QCA (Queensland College of Art)
print culture @ QCA responds to the critical discourse that now actively informs and shapes the medium of print within contemporary art practice.
As an academic discipline print culture embraces the production, distribution, reception and evaluation of the printed mark, both image and text. This includes contemporary artists’ employment of prints and print practices.
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